Behind the Scenes of the Inside Literary Prize: A Journey of Books, Freedom, and Connection
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This year, something extraordinary happened. A group of ten individuals from all across the country came together to decide the shortlisted titles for the Inside Literary Prize 2025. But here’s the thing—this wasn’t just any group of book lovers. Our Selection Committee was a unique blend of people from the Inside: prison librarians, formerly incarcerated folks, and the incredible members of the Freedom Reads team (yes, yours truly included). Together, we embarked on a two-month journey that was far more than just reading—it was about connection, reflection, and reclaiming the power of stories.
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Prepub Preview | A Year of Titles To Watch
Freedom Reads Founder & CEO Reginald Dwayne Betts' upcoming book, Doggerel, is featured on Library Journal's titles to watch list.
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Jethro’s Corner
Jethro's Corner, a poem from Freedom Reads Founder & CEO Reginald Dwayne Betts's upcoming book, Doggerel, was featured as The Atlantic's Poem for Sunday.
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Why a Cellmate is Not like a Roommate
“The prison is like an isolated town with nowhere to go. And the cell is our whole house,” Biktor B. writes, adding that this “house” is shared by complete and often incompatible strangers, who have next to nothing in common.
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What Is it Like to Live in a Halfway House?
Kashawn Taylor writes about the expectations and realities of living in a halfway house after leaving prison, noting “it feels like freedom, with an asterisk.”
Latest Episode
The Past's Presence: Jesmyn Ward
In today’s episode, Jesmyn Ward reads from her third novel, Sing, Unburied, Sing, which is at once a bildungsroman, a ghost story, an epic, and a road novel. In portraying the suck of Parchman Prison on the generations of one Mississippi family, Ward deftly explores how the real threat of incarceration haunts these psyches and, in turn, these familial relationships. In this moving conversation, Ward reflects on living with grief, on listening for communications from beyond our immediate reality, and on the central commitments of her work: to restore agency to the kinds of characters too often denied a voice—and to grant acceptance to the ones harder to forgive. (July 26, 2021)