Founder's Take: Seeing Your Reflection in a Sentence
Everyone who has ever been given a state number has a story of a cell door closing. And too often the stories that make it out from behind those closed cell doors are of sorrow. The sorrow of so many become the substance of films and of folklore, of the narratives of men like Malcolm X or Nathan McCall or Petey Greene or Merle Haggard or a half‑a‑dozen men in Bruce Springsteen songs. So many of us with debts no honest man can pay. I think of Susan Burton or Angela Davis or the many women I’ve met as I’ve walked back into prisons, their names less well known, but their struggles no less visceral. And yet, the thing less known than all those stories is how often an open book leads to shifting someone’s life—even for simply the span of time it takes to get from that first page to the last.
Continue Reading
Nana Kwame Adjei-Brenyah has won the 2025 Inside Literary Prize.
At a ceremony on Thursday night, Nana Kwame Adjei-Brenyah’s Chain-Gang All-Stars was awarded the second annual Inside Literary Prize, the first-ever US-based literary award to be judged by currently incarcerated people.
Winner of the 2025 Inside Literary Prize Revealed
Nana Kwame Adjei-Brenyah has won the 2025 Inside Literary Prize, an award judged by incarcerated readers, for his novel Chain-Gang All-Stars.
Why a Cellmate is Not like a Roommate
“The prison is like an isolated town with nowhere to go. And the cell is our whole house,” Biktor B. writes, adding that this “house” is shared by complete and often incompatible strangers, who have next to nothing in common.
What Is it Like to Live in a Halfway House?
Kashawn Taylor writes about the expectations and realities of living in a halfway house after leaving prison, noting “it feels like freedom, with an asterisk.”
Latest Episode
The Past's Presence: Jesmyn Ward
In today’s episode, Jesmyn Ward reads from her third novel, Sing, Unburied, Sing, which is at once a bildungsroman, a ghost story, an epic, and a road novel. In portraying the suck of Parchman Prison on the generations of one Mississippi family, Ward deftly explores how the real threat of incarceration haunts these psyches and, in turn, these familial relationships. In this moving conversation, Ward reflects on living with grief, on listening for communications from beyond our immediate reality, and on the central commitments of her work: to restore agency to the kinds of characters too often denied a voice—and to grant acceptance to the ones harder to forgive. (July 26, 2021)