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Far too many stories I tell about someone else end up becoming stories I tell about someone allowing me to see myself truer. It’s the tragedy of going to prison as a sixteen-year-old, long before I’d had the experiences or sense of knowing who I was. And still, some of the stories become the best ways to remember the people. When I met Aggie Gund, I was running late. I’d been invited by Elizabeth Alexander to meet with Aggie and a group of others about the beginning of Art for Justice.

At the end of James Wright’s poem, “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota,” as he writes about noticing the bronze butterfly, a leaf in green shadow, as he writes about the cowbells, and sunlight between two pines, the golden stones that were once horse droppings, as he writes about the chicken hawk, I’m always utterly gobsmacked by his conclusion: I have wasted my life. And it’s such a startling end to the poem that it’s haunted me for a decade. I’m forty-four years old and watched my first sunrise less than a month ago, and now I am no more than a few hours away from when I was lying in a hammock at someone’s farm, staring at a duck with her ducklings that barely rise above the growing grass, and again I am weeping, and exhausted, and willing to admit that I have not wasted my life.

Dear Reader,

Prison teaches you what it means to be alone and what it means to lean on people who care about you. Inside, we built bonds over fleeting moments, breaking bread over meals, turning books we read into opportunities to see each other more clearly. And we stayed inventing a language of hope: calling letters kites, calling studying doing the math, remembering that one day you’d only have one day and a wake up left. When my confession announced me a convict, when the judge pronounced my sentence, I walked into a cell and called myself a writer. Sometimes it’s just a word that you hold onto until it becomes freedom.

Without me knowing it, prison became the center of my life. I have thought about what a prison cell does to a man for more consecutive days than I have contemplated what it means to be a good man, let alone a father. Sometimes, I imagine that prison has become more than a metaphor, but the literal antecedent to every move I make. It’s a lonely place.

It was all a dream. Or not a dream, but a fantasy, this belief that people would get behind the idea of the Freedom Library. The Freedom Library, which, at its root, is simply the notion that beauty and literature matter. That nature matters. That incarceration should not deprive people of these things. To put this all in another way, I’ll say that I was thinking like they thought with the Field of Dreams, that is: If you build it, they will come.

This is what they cannot tell you to expect: that you’ll return. No, that’s not true. They predict that you will return in handcuffs. Never as it happened on March 4, 2024. That morning, I returned as a poet who would perform for them as if the men inside were a Broadway audience; I returned as someone who’d served time with them, as a lawyer who’d been trained in the cells they knew too well.